Showing posts with label Ottoman fashion. Show all posts
Showing posts with label Ottoman fashion. Show all posts

Salah Barka—the Tuniversal Designer!

Yesterday in my introduction to this year’s exploration of menswear around the world, I made mention to one of Africa’s most acclaimed designers, Salah Barka.

The 35-year-old Tunisian designer hails from a city in southern Tunisia, Gabès, which is situated in the territory of Carthage.

Although Salah worked first as a costume designer before he entered the world of fashion in 1998, he is totally self taught, having studied fashion from perusing the web!

Salah creates fashion-forward collections that span the 3,000-year history of his homeland, as he references the styles, fabrics, jewelry, and garments of the ancient Phoenicians, Carthaginians, Romans, Berbers, Ottomans, and Arabs.

Typical of the collections are the fez hats and hooded cloaks of North Africa, the equestrian pants of West Africa, and the Tunisian-style pants that slim at the calves.

Winner of the Silver Thread Prize, Salah Barka presents his collections regularly at Tunisia Fashion Week.

I am very excited to become acquainted with this exquisite designer and, hopefully, to learn more about Tunisian menswear from the Tuniversity of Salah Barka!
For more images, please click here.

Photos Courtesy & Copyright Salah Barka.

History of Menswear: Table of Contents

China
The UighursXinjiang, the Uighurs & Turkic Fashion
Guizhou MinoritiesGuizhou Minorities in the 80's
Miao
Zhuang
Yao
Dong
Yi
Han ChinaHan Fashion
Before Mao
From Ming to Qing
Yuan & the Mongols
Empires of the Mediterranean
Aragon & CataloniaCatalan Designer Georgina Vendrell
Byzantium Roman Blockbusters, Byzantium & Barbarians
CarthageCartharge, of Phoenicians and Punics
Greece & Magna GraeciaGrottoes, Grapes & Greeks
Normandy Naples, Normans & Nabbings
Nuraghic CivilizationNuraghic Men Rocked the Styles!
Book Review I: "The People of Bronze"
Book Review II: "The People of Bronze"
Book Review III: "The People of Bronze"
The Nuraghic “People of Bronze” Come Back to Life
Ottoman Empire

Turkish Men's Fashion: A Glance in History
B-Turk: Relics of the Ottomans on Tees

PhoeniciaPhoenicians: the People of Purple
Roman EmpireRoman Blockbusters, Byzantium & Barbarians
Saracens & Barbary PiratesSaracens, Corsairs & Barbary Pirates
Islands of the Mediterranean
Intro The Mediterranean Isles of Italy
Mallorca The New Skins of Gori De Palma
CreteDimitri Stavrou’s Stylish Ride from Cyprus to London
Ischia & the Bay of NaplesIschia: Roots on a Rim
Grottoes, Grapes & Greeks
Roman Blockbusters, Byzantium & Barbarians
Naples, Normans & Nabbings
From Feudalism to Family Feuds
Of Kings and KUKs
Bourbon Anyone?
Naples, Nations & New Notions
20th-Century Island Life in the Bay of Naples
Popular Island Dress & "L'ndrezzata"
Sardinia

Introduction to Sardinia & Traditional Sardinian Menswear
Timeline: Sardinia's History in a Nutshell
Bagella: Preserving Traditional Menswear in Sardinia

Oristano: Its Musuem & Festivals
Bauladu—Country Living in Sardinia
Paolo Midolo: the Pride of Orani

North Africa
NomadsThe Tuaregs
Sub-Saharan Africa
West AfricaThe Rich World of African Menswear
Digging Deeper into West Africa: Yoruba
Religious Movements
The HutteritesThe Hutterites

B-Turk: Relics of the Ottomans on Tees

Several weeks ago, I featured an article on three menswear brands of a Turkish manufacturer called the Orka Group. The labels included Damat, Tween, and ADV.

Since then, I have kept you in suspense about a fourth line that the Orka Group has recently launched. It’s called B-Turk, and I have waited, knowing that the concept would be very fitting to our discussion on the history of the Mediterranean isles. In the company’s own words, B-Turk defines itself as:

“a cosmopolitan culture that has survived through thousands of years, inheriting a multicultural, multi-religious, and multilingual structure…bringing the legends of authentic and ethnic Turkish values, symbols, and objects that have evolved throughout national history together.”

The designer is Reha Erdoğan, a graduate from the Istanbul Academy of Fine Arts, Graphics Department, where he received both BA and MA degrees.

B-Turk is radical Turkish design that embraces music, fashion, cuisine, and much more. The fashion line encompasses 50 designer t-shirts, which showcase cultural and historical symbols of the Ottoman Empire.

Sometimes known as the Turkish Empire, the Ottoman Empire lasted from 1302 to 1922 and, with Istanbul as its capital, spanned three continents: southeastern Europe (the Balkans), western Asia, and North Africa. In essence, it is the successor of the Eastern Roman Empire and Byzantium.

While the Ottoman Empire absorbed many cultures, cuisines, and styles of architecture, dress, and music, the Empire also enfused the peoples within its borders with the same influences, leaving a lasting impact that can be seen, heard, and felt today.

So, if you wanna B-Turk, then buy B-Turk!



Photo Copyright Orka Group.
Slideshow Copyright
Orka Group.

Saracens, Corsairs & Barbary Pirates

From the 7th-19th centuries, pirates sailed the Barbary coast of North Africa, which comprised the countries of Morocco, Algeria, Tunisia, and today’s Lybia. They have come to be known as Saracens, Corsairs, and Barbary pirates.

Their mission was to engage in ghazah, or razzia in Italian, raiding European coastal cities and islands primarily to capture slaves, whom they sold in Algeria and Morocco. All coastal areas were prey, but Italy was the most ravaged of all, partly due to geographical proximity.

The first wave of pillaging and slave-trading occurred during the Mameluk period of Egypt (7th-15th centuries). At that time, pirates were slave soldiers, mostly nomadic Kipchak Turks that had converted to Islam. The second wave of incursions took place during the reign of the Ottoman Empire (present-day Turkey).

The most famous of all pirates were the Barbarossa brothers, who were of Turkish origin but inherited their nickname from the Italians, who called them “Red Beard.”

Most legendary of the four was Kheir ed-Din (1474-1518), who became admiral of the sultan’s Ottoman fleet, which, after assaulting the coasts of Sardinia in 1544, landed on the islands of Ischia and Procida in the Bay of Naples.

Another celebrated pirate was Turgut Reis Dragut (1485-1565), who also raided the Italian peninsula, conducting expeditions to Naples where he enslaved thousands in 1552.

Tidbit: the eye patch originates with the 18th-century Arab pirate, Rahmah ibn Jabir al-Jalahimah, who lost his eye in battle.

As for men’s attire, the Barbary period spans many centuries and geographical locations, so we can only summarize the looks and styles.

The dress during the first wave would have been identical to what the men wore in North Africa, slowly evolving into the Arab dress as seen in the photo to the middle right.

The pre-Islamic basis of clothing was a short, flowing, unbelted tunic and loose outer wrappings. The Romans noted that the North Africans draped animal skins over the left shoulder.

With the spread of Arab influence, men wore head coverings like hooded cloaks or a winding cloth around the head, as well as long robes, wrapping mantles, and sandals.

The garb during the second wave would have been heavily influenced by the attire of the Ottomans, as seen in the photo at bottom left, of course depending on the Corsair’s relationship with or status within the Ottoman Empire.

2010 Trends & Takeaways from the Period:
Various elements from this period have been appearing recently in the collections of several menswear designers, ranging from the drop-seat pants of the Ottomans to the turbans and flowing hoods of the Arabs. Some designers have even based their entire collections on the nomadic styles of North Africa, as well as those of the Barbary pirates.

Photo top left, Barbarossa by Shuppiluliuma, Public Domain at Wikipedia.
Photo middle right, Arab dress 4th-6th centuries, Public Domain at Wikimedia.
Photo bottom left, Osman I & Ghazi warriors, 13-14th centuries, Public Domain at Wikipedia.