Showing posts with label Roman fashion. Show all posts
Showing posts with label Roman fashion. Show all posts

Man Foulards in Roman Carthage

Just above the artist quarter in Punic Carthage, which was destroyed by the Romans, I came across an impressive marble bust in one of the Roman villas.

This Roman guy’s sense of style was definitely cool!

His entire torso is nude, as he sports a large foulard draped around his shoulders, hangin infront and descending slightly more in the back.

Lately on the runways of fashion weeks around the world, there is much draping as layer is added upon layer, a trend that was very common among the Romans.

For more reading on Roman dress, go to Roman Blockbusters, Byzantium & Barbarians.

The additional photos that follow the bust were taken at the thermal bathes just below the Roman Villas.

Stroll through the ancient Roman bathes here.

Photos Copyright Men’s Fashion by Francesco.

Tunics in Tunisia

When the Romans destroyed ancient Carthage, they rebuilt the city and populated the land.

In the area of ancient Carthage, just above where the destroyed Punic artist quarter, the Romans constructed beautiful villas that ascend up the hill, terraced one on top of the other.

As I was walking through one such villa, I came across some floor mosaics, which narrate the story of how Roman men dressed in North Africa during the time of Roman Carthage.

Notice the colorful details on each Tunic. The patterns follow a geometric symmetry with lots of borders, cuffs, and breast pieces.

The photos that follow the mosaics are from the surrounding Roman villas. Enjoy the romantic walk through the villas here!



Photos Copyright Men’s Fashion by Francesco.

Salah Barka—the Tuniversal Designer!

Yesterday in my introduction to this year’s exploration of menswear around the world, I made mention to one of Africa’s most acclaimed designers, Salah Barka.

The 35-year-old Tunisian designer hails from a city in southern Tunisia, Gabès, which is situated in the territory of Carthage.

Although Salah worked first as a costume designer before he entered the world of fashion in 1998, he is totally self taught, having studied fashion from perusing the web!

Salah creates fashion-forward collections that span the 3,000-year history of his homeland, as he references the styles, fabrics, jewelry, and garments of the ancient Phoenicians, Carthaginians, Romans, Berbers, Ottomans, and Arabs.

Typical of the collections are the fez hats and hooded cloaks of North Africa, the equestrian pants of West Africa, and the Tunisian-style pants that slim at the calves.

Winner of the Silver Thread Prize, Salah Barka presents his collections regularly at Tunisia Fashion Week.

I am very excited to become acquainted with this exquisite designer and, hopefully, to learn more about Tunisian menswear from the Tuniversity of Salah Barka!
For more images, please click here.

Photos Courtesy & Copyright Salah Barka.

Roman Blockbusters, Byzantium & Barbarians

Ninety years before the birth of Christ, Naples aligned with Italic tribes in a defensive front called Italia, which was doomed to failure against the indestructible war machine, Rome. Italia’s defeat swept Naples and the entire bay under the domain of Rome in 82 BC.

Although the islands were transferred back into Naples’ hands in 29 BC, Rome retained use of them as resorts. Despite the diffusion of the Roman culture and the Latin tongue, Greek language and culture persisted in Naples and on the islands until the 6th century of our era. Cities like Pompeii and Herculeum, however, were entirely Roman cities.

Five hundred years later, the collapse of the Roman Empire created a vacuum in southern Italy and paved the way for the Byzantine Empire to impose its rule in AD 553, governing its possessions through the nomination of local noblemen. From 661-1137, these dukes, as they were fitly called, progressively forged a sphere of autonomy.

The Roman dress code was complex, reflecting the individual’s social status, gender, and language. Talk about “in your face”!

Stately and dignified, Roman dress was a bit more cumbersome than that of the Greeks. The actual garments, however, were similar to Greek clothing, except for the toga.

Made of wool, this flowing garment was draped carefully around the body to create graceful folds, leaving the right arm exposed and the left arm covered to the wrist. Colors varied according to age and social rank.

Underneath, Roman men wore a tunic, often striped, which was rectangle in shape with openings at the shoulders. Footwear consisted of sandals with leather soles and long laces that were tied up the leg. Clean-shaven, Roman men sported short hair.

As for Byzantium, Roman dress was developed by adding ornamental embellishments, headdresses, and length to the toga. Skull caps were popular, as well as the colors gold and violet; in essence, less earthy than the Romans in the West.

2010 Trends & Takeaways from the period:
In addition to more recent “nomadic” influences, the Roman art of draping has guided many spring/summer 2010 collections.

Inspired by the long voluminous layering effect of this period, designers have employed sheer, lightweight—almost airy fabrics—in their 2010 creations, adding a stylish flow and revealing the skin.

Photo top left Ceasar's Murder, Public Domain.
Photos middle right & bottom left Copyright Men's Fashion by Franesco.

Rubia Pigmenta Naturalia

After posting my 2-part interview with sustainable designer and artist John Patrick, I received an email from his Dutch friend, Anco Sneep, director of Rubia Pigmenta Naturalia, which produces a natural red dye that dates back to over two millenia:

"A world without colour is barely conceivable for us. Nature provides for colour all around and anything we create, we create in colour. And–we’ve been doing so for thousands of years. Primeval human beings already used colours to outline drawings or illustrations, and all generations thereafter carried on doing so. These colours were made from natural resources. One of the most important materials was–and still is–madder.

The roots of the madder plant produce a genuine red colour. The ancient Egyptians had already discovered the incomparable madder tint: a belt dyed with madder root was found in the tomb of Tutankhamen. But the ancient Greeks and Romans also used this unique colour as a dye, which in the later Byzantium Empire was given the name Turkish Red. Famous artists like El Greco, Velasquez, and Vermeer used madder as a base for particular red tints in their paintings.

In the 18th century, madder–or by its scientific name Rubia Tinctorum –became a popular dye for textiles. Particularly in the southern Netherlands, in West Brabant and Zeeland, the plant was cultivated on a large scale. Madder became an important economic factor in this area.

After the German chemists Graebe and Liebermann discovered in 1868 how the red madder dye could be produced synthetically, cultivation of madder quickly declined and finally vanished.

Rubia® has developed a totally new process to extract the genuine madder dye very efficiently in an ecologically friendly manner. Elements of the system are specially selected madder under license.

The highest priority in the Rubia® research laboratories is continuous process control and optimization aligned with quality enhancement. In addition, the colour agent content of the different root batches is determined to permit fair compensation for the growers.

In the factory, the colour agent is extracted from the roots by means of a special Rubia® process. As market leader, Rubia Pigmenta Naturalia® comes from the only industrial installation worldwide to produce the authentic Turkish Red.

Rubia® red is the ideal dye for companies seeking to differentiate themselves through the use of authentic and brilliant colours, produced entirely on a natural basis. Rubia®–a new dimension in colour!

Highly praised Dutch designer Rianne de Witte has decided to work with natural dyes of Rubia Pigmenta Naturalia®!

Photos and Slide Show Copyright by Rubia Pigmenta Naturalia.