Showing posts with label Vincenzo Scognamiglio. Show all posts
Showing posts with label Vincenzo Scognamiglio. Show all posts

Benetton Spring/Summer 2011

Light Age
A shirt and … you’re all set: this seems to be what United Colors of Benetton is saying. In fact the striped or plain-colour shirts are uniquely cool and light. If we then pair them with gabardine trousers – long or Bermudas – we’ll be ready for even the very hottest weekend in summer. Pale blue, white and green with a touch of grey are, as always, the most appropriate colours. Make sure everything has a slightly crumpled air to be sure you won’t risk looking too formal.

Military Gym
These guys seem fresh out of an army camp gym. The visual impact is immediate: cotton canvas for jackets/shirts mixes with the jersey of T-shirts and tracksuit trousers; khaki teams with mottled grey or green; shirt checks also appear on pocket and zip details. The result is a fully-fledged task force all set to fight ... those extra pounds.

Summer Colours
Freedom to mix colours in the season best suited to this activity. A rule-free mix ‘n’ match creating attractive colour schemes with unexpected results. Glossy and matte fabrics, contrasting lengths and volumes, different weights: any “misuse” is allowed as long as it generates a new image of summer vitality.

Sunday Brunch
A casual look for an increasingly popular social event. You can wear what you like, from a two-piece suit to a knitted cotton top with Bermuda shorts, as long as everything has a totally informal look. The palette includes shades of blue matched with touches of brighter tones like red and turquoise. The fit is often roomy, to comply as much as possible with the relaxed mood of this Sunday opportunity for meeting our friends.

Have a look at the collection here.

Photos & text Copryright Benetton.

Benetton Autumn/Winter 2010

Back Forward
A step back into the ’30s to borrow its atmospheres and reproduce them with a modern twist.

Outerwear fabrics have volume and are full-bodied as only wool can be. The jacket is still the main player, be it plain-coloured or with classic motifs. Leather jackets keep company in harmonious matches. Trousers follow the same path as jackets.
Knitwear and jersey articles in this theme round off a formal yet creative look. A small range of well-defined colours: grey, brown, periwinkle, dark blue and black.

No Rules
The mix ‘n’ match adventure seems eternal. It allows us to try unconventional schemes without feeling the consequential awkwardness. Corduroy and distressed gabardine, wool tartan and ultra-worn jeans are emblems of authentic casual wear. If we want to go a bit further, we could try a knitted wool cardigan over cotton fleece trousers, or a cotton three-button vest top under a padded, woven-cloth jacket and knitted wool trousers.

“Fool Colours”
We never renounce tradition. Strong colours belong to winter, too, especially when choosing a padded jacket, sweater or sports trousers. Consequently, materials follow the same theme: nylon padded with genuine goose down, wool yarn worked in jacquard patterns, heavy jersey trousers with a waist draw cord. Contrast is a distinguishing trait of this theme: colour contrast, of course; weights; right/reverse. There is no particular fit in this case, just a state of extreme relaxation.

“Denimotion”
In this case denim, now acknowledged as a fabric for many occasions, plays its original role. Garments made of “Genoa cloth”, especially blue jeans, are worn for leisure time. Washed-out, crumpled, dark, fitted, dirty: these are a few of its looks, which are teamed with check flannel shirts and modern waterproof cotton trench coats. Jersey cardigans with a warm handle are worn over T-shirts decorated with graphic motifs.

Have a look at the collection here.

Photos & text Copryright Benetton.

Sisley Autumn/Winter 2010

Arctic Heritage
An enjoyable vintage feel in an up-to-date modern context. The unspoilt atmospheres of Canadian territories come to life again in Sisley’s men’s styles for the outdoor theme.

Check cotton flannel, washed faux sheepskin, distressed denim and wools with a hand-knitted look join forces with new-generation details and fabrics. The casual style–under the motto”relaxed elegance” – springs to new life with the help of yarn-dyed cottons and pigment-dyed corduroys for authentic worker-style trousers.

Volumes are clingy as if to emphasize the idea of the protection they give against the rigors of winter. The colors are a range of basics - like red, blue, green, brown and yellow – filtered through the half-light of the woods.

Nocturnal Butterfly
The night and nocturnal men. This is the theme running through Sisley’s styles for him.

Contrasts of glossy and matt, black and white, roomy and tight are often seen in colors, fabrics and fit Corduroy, moleskin, satin and cotton create such a eclectic range of clothes as to go from the jacket to the waistcoat, both with a close fit, to T-shirts with “rocker” graphics – not forgetting embroidered shirts and deeply-distressed jeans.

The main color is black in the company of other nocturnal shades like cobalt blue or asphalt grey. Flashes of red and white brighten the look like neon signs through the dark.

Whispering
Sisley gives a new look to the fit and matching schemes of classic styles, creating a fresh, contemporary elegance.

Fabrics range from the smart look of woven wool with a knitted effect to the luxury wool yarns of the dinner suits and on to sophisticated cotton weaves used for shirts.

Knitwear introduces complementary elements, such as the waistcoat, for a look that is carefully studied yet carefree and youthful.

Black dominates the scene, though “assisted” by dark shades like smoky grey, purple, midnight blue and mixtures of green and blue, like “blue coral.”

The silhouette is close-fitted and streamlined, apart from the heavy overcoat that envelops everything in soft volumes.

See the collection here.

Photo & text Copyright Sisley.

Benetton's Star Desginer: Vincenzo Scognamiglio

Have you ever walked into a store and wondered who designed that awesome tee or cool sweater? Well, behind ever cool design, there is a cool designer! Therefore, I would like to introduce you to the man who stands behind every cool design at the United Colors of Benetton: Vincenzo Scognamiglio.

Vincenzo was born 1965 in a municipality of the province Naples, Italy, called Torre del Greco, which means ‘Tower of the Greek’. Situated between the famous ruins of Pompeii and Herculaneum, Torre del Greco is an ancient city, which, at one time, was even settled by the Saracens. Later in history, Torre del Greco drew world attention for its coral diving and exquisite cameos.

Vincenzo, it is a tremendous privilege to interview you! Tell me, how did it all begin?
I lived in Torre del Greco up to the age of 18, when I decided to take a “huge step” and departed for New York City. I was a little more than a young boy, but my ideas were clear and, soon, everyone at home ceded to my determination.

What events in your early years contributed to you becoming a designer?
I always traveled a lot, from when I was 10 years old (naturally accompanied!), and this led me to be curious—in the most positive sense of the term. My father was a broker, and it was from him that I inherited the disposition of a traveler and a “discoverer”.

When did you really know that you wanted to become a designer?
Becoming a designer was something that I always carried within me. Fashion and music have, in fact, always been my biggest passions. When I arrived to New York, I interne with Ralph Lauren. These two beautiful years confirmed to me that the career of a designer was what I really wanted to do.

I read that you worked with several labels in Japan… Did this experience impact you in any way?
In Japan I learned rigor and the discipline—the fundamental elements for growth with respect to everything and everyone. Moreover, I learned how to manage creativity—another fundamental aspect for attaining good results. For the most part, it was an educative experience from which I still benefit!

What inspires you as a designer?
Many things influence me: the “street” above all things; but also art and cinema, for example. I read very much; every morning I flip through several newspapers, because I am convinced that an idea can be born even from a piece of news.

Besides fashion, what other interests do you have?
Like I said, my other huge passion is music. I own an IMMEASURABLE collection of music (but I also have an iPod filled to capacity). I particularly love jazz and rock; then I like the “great vocalists.” When possible, I try to go to the cinema or organize dinners with my friends—being with them recharges my batteries. I like to travel and, work permitting, I try to do it whenever possible (I travel often for work, but naturally it is not the same thing!)

What led you to Benetton?
The desire to challenge myself… Working for a company that distributes its collections in 120 countries of the world and offers a total look for every moment of the day, believe me, truly represents an unmatchable challenge. What’s more, I handle both the men’s collection and the women’s; therefore, I can define myself as a “complete” designer. I also believe that Benetton is an unordinary company, which makes you proud to belong to.

What specific impact have you had on the men’s look at Benetton?
My arrival to Benetton coincided with an explosion in men’s fashion around the world. First, the concept of a man looking in stores for in-style clothing was nonexistent and reserved only for women. Fortunately, it is no longer the case today; now Benetton has a network of stores dedicated exclusively to men.

What does “fast fashion” mean to you and Benetton?
When one thinks of “fashion fashion” today, one is thinking of a low-quality product. In this sense, we are not interested in “fast fashion.” For Benetton, it is important to be “fast” in the sense of planning and distribution; but this never happens by skimping on quality.

As designer, what do you expect from the casting campaign?
The casting of the Benetton campaigns has always been an element of strong identity for the brand. The multiethnic and “real” approach to models has in a way determined a style. With this project the casting develops online—arriving from bottom to top, from grassroots to fashion pages—but it is only technically a new operation; in fact, it is in line with Benetton history. We hope the users that vote for the 100 finalists of “It's My Time” will be as bold as Benetton has been over the years!

What is the biggest challenge of a designer today?
Staying in step with the times and with the rapid changes, which the world imposes on us today. It is important that one scrutinizes oneself, not becoming distracted, because the modern-day public is more demanding in terms of style and quality.

In your opinion, where is men’s fashion headed?
After years of excesses, men’s fashion is finally turning towards great practicality and simplicity, without forgetting—however—good taste for elegance. This is also my personal way of seeing men’s fashion: in other words, I like that men dress like men!

Thank you so much, Vincenzo, for your time! It is a wonderful pleasure to become better acquainted with you!

Read all the articles by Francesco in 2010 Spring Uomo Moda:
Uomo Moda ‘10 Spring Edition—the All-Star Issue
Be a Star in Spring 2010: Editorial, Uomo Moda
PUMA: Over 60 Years of Reaching for the Stars
Dolce & Gabbana: 2 Stars in Italian Luxury
Dolce & Gabbana 2010 Spring Collection: “Extreme Beauty”
United Colors of Benetton: A Family of Stars
Benetton's Star Desginer: Vincenzo Scognamiglio
United Colors of Benetton: 2010 Spring/Summer Collection
Tween: a Rising Star
The Tween 2010 Spring Collection: “Modern Masculinity”

Photo Vincenzo Scognamiglio Copyright Benetton.